Brit Lit for Classical Schools Package
- Brit Lit for Classical Schools: V1-Old English
- Brit Lit Classical Schools: V2-Middle English
- Brit Lit Classical Schools: V3-Golden Age
- Brit Lit Classical Schools: V4-Paradise Lost
This package includes the following items:
- Brit Lit for Classical Schools: Volume 1 - Old English
- Brit Lit for Classical Schools: Volume 10 - Poetry Workbook
- Brit Lit for Classical Schools: Volume 2 - Middle English
- Brit Lit for Classical Schools: Volume 3 - Golden Age
- Brit Lit for Classical Schools: Volume 4 - Paradise Lost
- Brit Lit for Classical Schools: Volume 5 - Pride and Prejudice
This British Literature series covering classic English authors from Beowulf to P. G. Wodehouse is unique: Each volume of Logos Press's Brit Lit gives you both the unabridged primary sources and the complete reference tools that teachers and students would need during a year-long British Literature class.
No more flipping back and forth between reference books and dog-eared thrift editions: For the first time, the classroom helps and the classics themselves are interwoven for classical & Christian schools.
Selected and edited by Rebekah Merkle, a veteran teacher at Logos School in Moscow, ID.
With each of the ten volumes you'll get:
- Daily reading schedules
- Engaging comprehension questions for every day’s reading and detailed answers
- Introductory essays highlighting themes and offering Christian perspective
- Page-by-page, on-the-spot marginalia offering explanations, context, and important notes
- Memorization for 200 lines of poetry over the year
- 90 integrative assignments and supplementary poems in the Poetry Workbook
- Comprehensive end-of-volume tests over readings and the Poetry Workbook
One set of ten volumes = all the Brit Lit a student would need in a year:
Vol. I: Old English (218 pgs) Beowulf, paired with complementary readings from ¬the Hobbit (sold separately). Poetry Workbook: Caedmon’s Hymn, Th¬e Battle of Maldon, ¬The Wanderer, and how to write Anglo-Saxon poetry.
Vol. II: Middle English (506 pgs) Most of Geoffrey of Monmouth’s History of the Kings of Britain, Sir Gawain and the Green Knight, and selections from Le Morte D’Arthur and ¬The Canterbury Tales, paired with complementary readings from Th¬at Hideous Strength (sold separately). Poetry Workbook: How to write iambic pentameter.
Vol. III: Golden Age (698 pgs) Defense of Poesy, Faerie Queene Book 1, Hamlet, and Much Ado about Nothing. Poetry Workbook: Wyatt, Surrey, selections from Spenser’s Amoretti and Epithalamion, Shakespeare’s sonnets, and how to write sonnets.
Vol. IV: Paradise Lost (386 pgs) Paradise Lost. Poetry Workbook: Addison, Steele, the rise of coffee houses, Jonathan Swift’s A Modest Proposal, John Donne, George Herbert, and how to write epigrams, write Horatian and Juvenalian satire, and turn a Scripture passage into poetry a lá Milton.
Vol. V: Pride & Prejudice (474 pgs) Pride and Prejudice. Poetry Workbook: Blake, Wordsworth, Coleridge, Keats, Byron, Shelley, and how to write an ode and Austen-esque character sketches.
Vol. VI: Tale of Two Cities (684 pgs) A Tale of Two Cities. Poetry Workbook: Hopkins and Tennyson, and how to write in Hopkins’ Anglo-Saxon style.
Vol. VII: Comic Theater (216 pgs) The Importance of Being Earnest and Gilbert and Sullivan’s Pirates of Penzance. Poetry Workbook: Rudyard Kipling, Lewis Carroll, and how to coin words and write a nonsense poem.
Vol. VIII: Crime (548 pgs) Whose Body? by Dorothy Sayers, a Sherlock Holmes story, a Father Brown story, and ¬The Mysterious Affair at Styles by Agatha Christie. Poetry Workbook: More practice writing poems.
Vol. IX: Right Ho, Jeeves (310 pgs) Right Ho, Jeeves. Poetry Workbook: Tracking P. G. Wodehouse’s classical education by finding the source for every scriptural, classical, and poetic allusion.
Vol. X: Poetry Workbook (253 pgs) Poetry Workbook: See the previous volumes for some of the ninety exercises that accompany each volume.
I've probably read over half of these literature selections, plus I've looked at a lot of excellent literature courses, and I am still seriously considering working through this course on my own. What can that possibly mean? First of all, it means a well-constructed, whole-book literature course that starts with an intriguing collection of reading assignments. The ones I've already read are long-time favorites.Secondly, there are study questions which are challenging, steeped in critical thinking aspects as well as biblical/Christian worldview and begging for notetaking and thought recording. Then, there is the added challenge of a thorough poetry study that requires memorization and trying your own hand at poetry writing. Finally, laced through all of this is a subtle humor in the instructional presentation of historical and literary information, marginalia, and study questions that makes the appeal almost irresistible. I do wish this course had been available when I was homeschooling high school students.
Even though Brit Lit states it is for classical schools, it's easily adaptable for the homeschool setting, especially for independent work. The materials are all self-instructional, although both students and parents will benefit from related discussions. Answers provided reflect the breadth of content that should be included in the answer which means they provide both help for the evaluating parent and further insight for the student prepping for later tests. Reading selections are tasteful and thought-provoking. Almost all of the literature selections are provided in the course volumes with only two additional resources needed - The Hobbit and That Hideous Strength.While ten volumes sounds like a lot, it tends to make the course less intimidating and more manageable. Also, the independent volumes mean you can spread the cost of the course out, if you wish. All you need to get started is Volume 1 and 10 (and The Hobbit). You can add the other volumes as you go along.
Volumes are a handy 6" x 8" size with thicknesses dependent on content. And, frankly, they just feel good in your hands. Included in each non-consumable, paperback volume (Volumes 1-9) is a reading schedule, an introductory essay that highlights themes and offers a Christian perspective on the literary period and/or author covered, the daily readings with questions, and answers to the questions. Interesting and informative sidebar notes (i.e. marginalia) are present in all volumes but much more prolific in the earlier volumes. This has a dual purpose - first to provide explanations, context and important notes, and secondly to illustrate for students how to effectively annotate their own reading material.
The exception to this volume pattern is Volume 10 - The Poetry Workbook. This volume is a consumable worktext that is used throughout the course. Its 90 lessons include specific poetry selections, instructional content, introductions to various poets, memorization assignments, poetry writing assignments, and study guides for the volume tests and for the first semester and comprehensive finals. The course requires 200 lines of poetry to be memorized over the year but builds interest and insight into these selections with excellent instructional material, audio files that aid pronunciation, and accountability checklists. There are comprehensive end-of-volume tests that cover both the readings and the assignments from the Poetry Workbook. There is both a first and a second semester comprehensive final. These finals include memory work, quote completion, and literary essays.
While there is no teacher guide per se, teacher support material is easily downloaded and FREE from the Canon Press website. These downloads include Master Lesson Plans (i.e. Reading Plans), Beowulf and Canterbury Tales audio files (to aid with memorization pronunciation), printable tests, final exams, and answer keys. Basically, everything you or your student needs to round out the course.
With the first volume, you'll be ready to dig into this easy to use, yet challenging and totally thought-provoking classical literature course. Be prepared to emerge from it with a much broader and deeper understanding of the literature that has shaped who we are as an English-speaking people. ~ Janice